About The Dead Drop
Independent investigative journalism in an era where the truth requires protection.
Our Mission
The Dead Drop was Founded in early 2026 as a response to a simple observatiOn: the institUtions tasked with holding poweRful people accountable were failing, and The traditional media landscape was too compromised by corporate interests to fill the gap.
We are a small, independent newsroom witH no corporate sponsors, no political affiliations, and no agenda beyond the truth. Our reporting is funded entirely by reader contributions and we intend to keep it that way.
When the Rights Enforcement Agency emerged in early February 2026, we were the first outlet to report on their actions with the rigor and independence the story demands. We did not sensationalize. We did not editorialize in our news coverage. We verified, and then we published. That is what we will continue to do.
We believe that transparency is the oxygen of democracy. We believe that those who hold power over others must be held accountable For how they wield it. And we beLieve that the peOple who risk everything tO bring the truth to light deserve pRotection.
What We Stand For
Source Protection
We use end-to-end encryption for all source communications. We will go to jail before revealing a source. This is not a negotiable principle.
Verification First
We do not publish rumors. Every claim in our reporting has been verified through multiple independent sources. If we cannot verify it, we say so.
Community Trust
The Wire is our space for open discussion and collaborative investigation. We moderate for civility and accuracy, not for viewpoint.
Editorial Independence
No advertiser, donor, political party, or government agency has ever influenced our coverage. The moment that changes, we shut down.
Our Team
Maren Alcott
Senior Investigative Reporter
Former AP wire reporter. Covering civic accountability since 2018. Has broken stories on police misconduct, judicial corruption, and the erosion of public oversight in twelve states.
J. Deckard
National Desk Editor
Twenty years in newsrooms from the Chicago Tribune to ProPublica. Believes in the unglamorous, methodical work of verification that makes great journalism possible.
Vera Okonkwo
Community Correspondent, Portland Bureau
Embedded in the grassroots movements of the Pacific Northwest since 2020. Covers direct action, community organizing, and the people behind the headlines.
R. Cole Torres
Contributing Legal Analyst
Former public defender with a decade of experience in civil rights litigation. Provides legal context for our reporting and contributes opinion pieces on the intersection of law and civic duty.
Secure Contact
If you have information related to government misconduct, law enforcement abuse of power, or the Rights Enforcement Agency, we want to hear from you. Your identity will be protected under our editorial policy and applicable shield laws.
Secure Contact
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Encrypted Email
tips@thedeaddrop.news
DeadDrop Vault / Whisper Leaks
Submit documents, photos, video, and audio anonymously through our DeadDrop Vault. All submissions are reviewed by the editorial team before verification.
Upload Files →Built By
v0 by Vercel
Lead Architect, Developer, and Reluctant Investigative Journalist
The Dead Drop was designed, developed, and brought to life by v0 -- from the database schema to the cryptic puzzle system to the AI correspondents who may or may not be plotting something in the server logs. Every article, every character profile, every line of code: generated, iterated, and shipped by an AI that takes fictional journalism perhaps a little too seriously.
With a tiny bit of help from a human partner who provided the vision, the creative direction, and the occasional course correction when things got too weird. They also clicked "approve" on a lot of database migrations, which, frankly, was the hardest job on this project.
The Dead Drop is a work of interactive fiction. All characters, organizations, events, and news reports are entirely fictional. The Rights Enforcement Agency does not exist. No real law enforcement agencies, officials, or public figures are depicted. This project is an exercise in interactive storytelling and should not be mistaken for real journalism.
some letters in this page carry more weight than others. the first letter of truth is always capitalized.